Gilpost · Dongjak-gu, Sadang-dong
entry55
엔트리55 사당점 Entry55 Sadang-jeom The 55 is how long a set lasts: fifty-five minutes, five more than the usual, which is where the name comes from. It is a basement jazz room by Sadang station where you buy a ticket, order whatever you like or nothing at all, and carry in food from outside. Sadang was the first of the two rooms; Seongsu came later.
Other · Dongjak-gu, Sadang-dong
Data as of · Published ·
Entry55's Sadang room is a live jazz bar in a basement off the lane by exit 8 at Sadang station. The 55 in the name is the length of a set — one writer relays that a set here runs fifty-five minutes, five longer than the usual, and that is where the name comes from. Sadang was the first room; Seongsu came later. It works less like a bar than like a small ticketed venue: pay the admission and you order whatever you like, or nothing, and you may carry in food from outside so long as it is not a drink. The line-up changes nightly, so people check Instagram or the booking page to pick their night. Closed Mondays and Tuesdays. The posts we read run from January 2025 to September 2026.
The basics
| Address | 서울특별시 동작구 동작대로1길 18, 천보빌딩 지하1층 (사당동) 18 Dongjak-daero 1-gil, Dongjak-gu, Seoul |
|---|---|
| Phone | 0507-1392-0285 |
| Typical spend | ₩7,700 – ₩18,000 |
| Floor area | 216 m² |
| Status | In business |
14 posts say it is walkable from the station.
When it opens
Of 13 posts: 12 wrote Weekdays 18:30–24:00, 11 wrote Saturday 15:00–24:00, 7 wrote Sunday 17:00–22:30.
| Open | Weekdays | 18:30–24:00 12 of 13 posts last seen 2026-09 |
|---|---|---|
| Open | Saturday | 15:00–24:00 11 of 13 posts last seen 2026-09 |
| Open | Sunday | 17:00–24:00 3 of 13 posts last seen 2026-09 |
| Open | Sunday | 17:00–22:30 7 of 13 posts last seen 2026-08 |
| Open | Sunday | 17:30–23:00 2 of 13 posts last seen 2025-02 |
| Closed | 월요일 13 of 13 posts last seen 2026-08 | |
| Closed | 화요일 12 of 13 posts last seen 2026-08 |
The values differ, but the periods they were written in do not overlap. This looks like a change over time rather than a disagreement, and the top row is the most recently reported. We did not confirm it with the restaurant.
What sets it apart
- You bring your own food in. Delivered, collected, packed at home — all fine; only drinks are barred, water included, so even a bottle of water has to be bought inside (₩1,000, and one writer warns it is a small bottle). What people actually carried in: pizza from a small place up the road that several of them independently chose — one calls picking it up on the way the done thing — plus fried gizzards from a nearby chicken shop, raw-beef sushi and raw-beef soup, tacos, fried chicken, cake, convenience-store snacks, a fast-food chicken box. One writer notes that staff bring plates if you ask, and the bins by the door take what is left. Ordering nothing at all is allowed: four writers make a point of it — pay the admission and the rest is up to you, with no minimum on drinks or snacks.
- A set runs fifty-five minutes, and what you get depends on the day. The posts sort it three ways: 'The entry to Jazz' on Wednesday through Friday and Sunday, programmed by the venue's music director for a general audience; a piano trio concert on Saturday afternoons — piano, double bass, drums; and 'Special GIG' on Saturday evenings, which brings back only the acts that went down best. Weekdays and Saturday evenings split into an early and a late set. The band changes nightly, and the twenty-seven posts name almost twenty-seven different ones. Two writers note that the weekly line-up on Instagram is tagged by mood, lyrical or driving, so you can choose. The sets are built so that knowing jazz is not the price of entry. Repeatedly: the band introduces each piece, points out what to listen for in each instrument, and plays off the room. Several recognise songs — Isn't She Lovely, Englishman In New York, L-O-V-E, Dive, Best Part. Three got an encore. Some nights are instrumental with no singer, though: one writer who turned up without checking admits to sitting there hoping for a vocalist and a song they knew. If you want something in particular, read the line-up first.
- You buy the ticket first, through Naver's booking page. Booking does not reserve a seat: at the door they check the reservation and hand over a paper ticket, which you must not lose — the toilets are outside the room, so every time you step out you show it to get back in. Walk-ins work too: two writers paid at the door with no booking, and two booked half an hour before the set and still found room. Four posts give the same number, 0507-1392-0285. Two describe the back of the ticket, which carries the entry rules, the menu QR code, the performance notes and how the lounge bar works; three say the music director explains it all to you on the way in.
- Seating is first come, first served, so arriving early is how you get a good one. One writer turned up exactly at their booked time to find everything near the stage taken; another queued an hour early, was first through the door, and sat in the front row. The queue forms outside: someone who went at Christmas waited in the cold and reports that staff came out with hand warmers; someone else who arrived an hour early in December waited in a convenience store until the line formed. Sightlines vary — the area by the bar barely sees the stage, the edges sit close to the speakers, and one writer advises the middle; another found row two perfectly good. It is not always full: a Saturday-afternoon piano trio and a late Sunday set were both described as roomy.
- It is one floor down. A red neon sign in the lane, then stairs to a door; one writer notes a blackout curtain behind it. The board at the entrance carries the night's band and its players, so you know who is on before you go down. Inside it is red light and neon, with a high ceiling in one account — writers reach for 'a hidden New York club' and for the bar in La La Land, and one simply says that outside is ordinary Sadang and inside is somewhere else. A long square table sits in the middle, tables for two to four around it, and a bar at the back. One writer notes the room divides in two: the part that watches the stage, and the bar side where people talk.
- You order from a QR code on the table and pay there and then. Several count it a virtue: no waving anyone down, and no interrupting the music — one writer, who liked that the staff left them alone, calls it the introvert's format. Alcohol triggers an age check. But payment goes through immediately, so a misfire stands: one writer, lost in the set, double-tapped and found themselves four beers in. Their advice is to look once more before confirming.
- The room gets dressed for the season. In these posts alone: Halloween, Christmas trees and year-end lights, a 'whispering flower' season with greenery worked through the room and explained to you as you come in, and a summer flower season. Seasons often bring a draw — a number by order of entry, or a follow on Instagram, with a pair of tickets as the prize; nobody in these posts won. Some nights there are candles on the tables, which one writer blew out by accident on sitting down, then blew out again after swapping for the next table's, and then watched the one a staff member relit go out in the draught from the air conditioning.
- The toilets are outside the room — out of the door and along the basement corridor, with the men's up on the ground floor and the women's in the basement, according to two posts. Take your ticket, or you will not get back in. Two writers describe the state of them, and both are talking about the women's: well stocked with paper and hand wash, kept clean, perfectly fine. The same writer adds that their companion did not think much of the men's. Three note the full-length mirror outside the women's, which the room has clearly accepted as a photo spot.
What 27 bloggers said
We read all 27 in full. The most common claims are “Roomy” (10) and “Friendly staff” (6).
What they liked
Where they disagree
| Had to wait | yes 6 · no 4 |
|---|
Things you can check on site
| Live music or shows | 27 of 27 posts |
|---|---|
| Outside food allowed | 24 of 27 posts |
| Takes reservations | 23 of 27 posts |
| Self-order screen | 16 of 27 posts |
| Reachable by transit | 14 of 27 posts |
| In a basement | 13 of 27 posts |
| Beer served | 9 of 27 posts |
| Seasonal decorations | 7 of 27 posts |
| Toilet outside | 6 of 27 posts |
| Wine served | 5 of 27 posts |
| Time limit on the table | 4 of 27 posts |
| Separate restrooms | 3 of 27 posts |
| Discount offered | 3 of 27 posts |
| Dogs allowed | 2 of 27 posts — saying it is not |
| Air conditioned | 1 of 27 posts |
| Bag storage | 1 of 27 posts |
| High ceiling | 1 of 27 posts |
These are raw counts, not percentages. Someone who did not mention something is not someone who disagreed.
What people order
The most ordered dish is beer (맥주 (드래프트·병)) — 8 of 27 posts.
The prices here are what bloggers wrote down in their posts, and they may have changed since. Check Naver Place for the current menu and prices. This list is not a menu board — it counts what bloggers actually ordered and ate. Check on Naver Place
Parking
9 posts say you cannot park. None say you can.
| Posts saying you cannot | 9 of 27 posts |
|---|
There is no car park of its own — this is not a place to drive to. Nine posts say so, and point instead to the two municipal car parks nearby, with an hour of it covered for you. One writer checked in at both of them; another gives the rate: ₩300 per five minutes, ₩3,600 an hour. An hour does not cover it, as one put it plainly after the fact — by the time the set ends you are past it. Entry to final note runs about two hours, and the difference is yours to pay. Two posts also note that dogs are not allowed.
Who came, and with whom
| Date | 8 of 27 posts |
|---|---|
| With a friend | 6 of 27 posts |
| Solo visit | 1 of 27 posts |
Getting there

Naver Map has a full English mode — Settings → Language → English. In Korea it gives better walking and transit directions than Google Maps.
Getting inside
| In a basement | 13 of 27 posts |
|---|---|
| Toilet inside | yes 0 · no 6 |
| Separate restrooms | 3 of 27 posts |
Not one writer says whether you can get in. Across all twenty-seven posts the words wheelchair, pushchair, step, threshold and ramp never appear. Many say it is a basement reached by stairs, but nobody says whether there is a lift, or any way down other than the steps. The toilets are split across two floors as well — men's upstairs, women's downstairs — so there is height to manage there too. That is not a no; it is us not knowing. If it matters, the number is 0507-1392-0285.
No one mentioned: Second floor · Lift to the floor · Ramp at the door · Step at the entrance · Step-free access · Accessible toilet. That is not the same as there being none — it means we could not confirm it. Worth calling ahead, and do tell us: we will put it here.
How to read these posts
- Posts disclosing payment2 of 27 posts
- Posts saying they paid themselves10 of 27 posts
- Posts saying nothing either way15 of 27 posts
When the posts appeared
Month by month
| Month | Posts |
|---|---|
| 2025-01 | 1 |
| 2025-02 | 2 |
| 2025-04 | 2 |
| 2025-05 | 1 |
| 2025-07 | 2 |
| 2025-11 | 1 |
| 2025-12 | 2 |
| 2026-01 | 2 |
| 2026-07 | 4 |
| 2026-08 | 5 |
| 2026-09 | 5 |
What we do not know
- Admission has gone up over these two years. Six posts between February 2025 and January 2026 give the same three figures: ₩15,000 for the weekday and Sunday programme, ₩12,000 for the Saturday piano trio, ₩20,000 for the Saturday-evening Special GIG. Four posts from July to September 2026 give ₩17,000, ₩15,000 and ₩22,000 — every one of them up by two or three thousand. Seasonal nights sit outside that: a December 2025 writer reports a range from ₩15,000 up to ₩35,000, with Christmas itself at the top of it. Check the price for your own date on the booking page — almost every post says it moves with the day and the programme. One notes a one per cent coupon for turning on alerts there, and two note that some drinks go two-for-one once the set ends.
- The hours barely disagree — except on Sundays. Twelve posts give the same Wednesday-to-Friday 18:30–24:00 and Saturday 15:00–24:00, and ten give the same Monday and Tuesday closure (two add that public holidays are worked normally). Only the Sunday closing time splits: six posts between July 2025 and August 2026 say 17:00–22:30, while three from July, August and September 2026 say 17:00–24:00. The dates overlap, so this does not read as a change either. Two earlier posts, from January and February 2025, give something different again: 17:30–23:00. Two figures do not fit at all: a December 2025 post says eleven in the morning to nine at night, which matches nothing and cannot describe a room that plays at night; and another that month lists only Monday as the closing day, leaving Tuesday out. If you are going late on a Sunday, check that night's set times on the booking page. Opening time and set time are not the same thing. One writer sets out the 2025 schedule in full: the weekday early set opens at 18:30, plays 19:30 to 20:25 and clears by 20:50; the late set opens at 21:00 and plays 21:40 to 22:35; the Saturday piano trio opens at 15:00, plays 15:50 to 16:45 and clears by 17:20. The early set has a leaving time and the late one does not — two writers note you can sit on after the last performance. There is a half-hour to an hour between going in and the music starting, and that gap is where the ordering and the eating are meant to happen.
- This place also answers to another name: The GIG Lounge. The sign and the booking are Entry55, but the food and drink menu, and the ordering, sit under The GIG Lounge. One writer states it outright — the sign says Entry55 but you have to search the other name — and others note the ordering screen coming up that way. The addresses differ too: Entry55 is listed at B-102 and The GIG Lounge at B-101. They are the same room. You are not looking at two places.
Sources (27)
Every number above was counted from the posts below.
- 사당 재즈바 엔트리55 | 이색데이트로 좋은 사당 가볼만한곳 라이브 .... 2026-09-26 · 틸리의 일상 모음집
- [서울][사당] 즉흥적으로 당일에 예약하고 가게된 재즈바 :: 엔트리55 2026-09-25 · yeonji-bloggg · via Daum
- 사당 재즈바 '엔트리55' 내돈내산 후기 / 일요일 19시30분 공연 2026-09-25 · 뚜나의 행복일기 .⋆
- 사당 재즈바 엔트리 55, 분위기 좋은 재즈바 2026-09-20 · JIN:LOG
- 2022년부터 하나씩 다녀본 서울 재즈바 7곳, 다시 꺼내보는 방문 기록 2026-09-16 · 2026_07~ ♥️ · via Daum
- [서울/사당] 데이트 코스로 딱 좋은 외부음식 반입가능한 라이브 재즈바 Entry55 2026-08-23 · 감자튀김의 일상로그 · via Daum
- [재즈유목일기] 260808 사당 엔트리55, 김대윤트리오 2026-08-18 · KimMeerkat · via Daum
- 사당역 재즈바 추천! 앤트리55 공연 후기 분위기 좋은 데이트 코스 2026-08-08 · SSH blog
- 사당 데이트 추천 엔트리55 후기|라이브 재즈 공연과 함께 즐기는 .... 2026-08-05 · 히쥬안녕
- [사당] 공연과 술을 함께 즐기는 재즈바 "엔트리55" 2026-08-03 · 8-8 · via Daum
- 추천] 감성 터지는 데이트 코스! 분위기 끝판왕 '엔트리55' 내돈내산 솔직후기 (feat. 작은피자집 포장... 2026-07-25 · 프루티의 슬기로운 기획 생활 · via Daum
- 닭똥집과 맥주먹으면서 재즈공연 즐기기 (엔트리55사당점, 내돈내산, 일요일 2부, 입장시간&공연시간... 2026-07-13 · 마음's 재테크 저장소 · via Daum
- 사당역 재즈바 엔트리55 | 음식, 술과 즐기는 재즈 공연 (외부 음식 반입 가능) 2026-07-10 · 춘뽀의 일상다반사≽^·༚· ྀི≼ · via Daum
- [사당 맛집] 분위기에 취하는 라이브 재즈바 '엔트리55(Entry55)' 데이.... 2026-07-10 · 우가우가의 일상 한주먹✊️
- [사당역 재즈바] 영화 '라라랜드'의 현실판? 분위기 끝판왕 엔트리55 .... 2026-01-27 · 보 통 의 날
- 사당역 이색 데이트 | 외부음식 가능하고 쾌적한 재즈바, 엔트리55 (윤혜진과 브라더스) 2026-01-05 · Days I Keep · via Daum
- [사당 엔트리55(entry55)] 라이브 재즈바 | 연말 데이트하기 좋은 재즈.... 2025-12-16 · 융융의 일상
- 사당역 연말 데이트코스 재즈바 엔트리55 2025-12-05 · 우연한 행운 · via Daum
- 사당 ‘엔트리 55’ (feat.복돈이 부추삼겹살) 2025-11-17 · 소소한 · via Daum
- 서울 재즈바 추천 엔트리55 entry55 사당 피아노 트리오 2025-07-23 · Attention
- [사당 재즈바] 엔트리55, 3번째 방문 후기(김순영 재즈탭=레전드) 2025-07-14 · 너는 나의 봄이다 · via Daum
- [사당] 재즈바 엔트리55, 1열에서 본 생생한 무대 2025-05-28 · 혤리의 지구별 탐험
- [서울 동작구, 성동구] 라이브공연 재즈바 Entry 55 2025-04-23 · 메리해피데이
- 사당 재즈바 | 캐주얼한 분위기의 부담없는 서울 재즈바 사당 ‘entry.... 2025-04-05 · Seize the day
- 사당역 재즈바 와인바 추천 The GIG Lounge / entry 55(엔트리 55) 2025-02-24 · 유징짱의 블로그
- [사당 재즈바] 분위기 맛집 사당 라이브 재즈바 엔트리55 2025-02-12 · New Day
- 사당엔트리(entry55) | 사당재즈바 공연후기 2025-01-31 · 오늘의 소소한 일기
Of 384 candidate posts we opened 58 and kept 27 as evidence. We stop once 30 are confirmed: beyond that the counts grow in proportion without changing the answer.